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But as his poetic tone became increasingly jaded and didactic, he imagines youth as a time of unchecked freedom that is taken for granted and then lost.
The theme of lost innocence becomes particularly poignant for Frost after the horrors of World War I and World War II, in which he witnessed the physical and psychic wounding of entire generations of young people.
These encounters culminate in profound realizations or revelations, which have significant consequences for the speakers.
Actively engaging with nature—whether through manual labor or exploration—has a variety of results, including self-knowledge, deeper understanding of the human condition, and increased insight into the metaphysical world.
Mid-career, however, Frost used encounters in nature to comment on the human condition. In his later works, experiencing nature provided access to the universal, the supernatural, and the divine, even as the poems themselves became increasingly focused on aging and mortality.
In other words, people learn from nature because nature allows people to gain knowledge about themselves and because nature requires people to reach for new insights, but nature itself does not provide answers.
Frost believed in the capacity of humans to achieve feats of understanding in natural settings, but he also believed that nature was unconcerned with either human achievement or human misery.
While humans might learn about themselves through nature, nature and its ways remain mysterious. Isolation Frost marveled at the contrast between the human capacity to connect with one another and to experience feelings of profound isolation.
In several Frost poems, solitary individuals wander through a natural setting and encounter another individual, an object, or an animal.
These encounters stimulate moments of revelation in which the speaker realizes her or his connection to others or, conversely, the ways that she or he feels isolated from the community. Longer dramatic poems explore how people isolate themselves even within social contexts.
Later poems return the focus to solitude, exploring how encounters and community only heighten loneliness and isolation. Work allows his speakers to understand themselves and the world around them. Traditionally, pastoral and romantic poets emphasized a passive relationship with nature, wherein people would achieve understanding and knowledge by observing and meditating, not by directly interacting with the natural world.
New England Long considered the quintessential regional poet, Frost uses New England as a recurring setting throughout his work. Although he spent his early life in California, Frost moved to the East Coast in his early teens and spent the majority of his adult life in Massachusetts and New Hampshire.
His speakers wander through dense woods and snowstorms, pick apples, and climb mountains.
The Sound of Sense Frost coined the phrase the sound of sense to emphasize the poetic diction, or word choice, used throughout his work.
According to letters he wrote in andthe sound of sense should be positive, as well as proactive, and should resemble everyday speech.
Many poems replicate content through rhyme, meter, and alliteration. Believing that poetry should be recited, rather than read, Frost not only paid attention to the sound of his poems but also went on speaking tours throughout the United States, where he would read, comment, and discuss his work.
Storytelling has a long history in the United States, particularly in New England, and Frost wanted to tap into this history to emphasize poetry as an oral art.
They not only mark boundaries on earth, such as that between a pasture and a forest, but also boundaries between earth and heaven.Although the snow imagery appears in many other poems by Frost we will be dealing with the poems “Desert Places” and “Stopping by Woods on a Snowy Evening.
Robert Frost's Desert Places Words | 4 Pages. Robert Frost's Desert Places One of the most monumental poetic works of T.S Eliot is ‘The Waste Land’.
The poem emerges as a gigantic metaphor for melancholy, loneliness, solitude- the unavoidable companions of human existence. other poems by Frost we will be dealing with the poems “Desert Places” and “Stopping by Woods on a Snowy Evening.” Even though “ Desert Places ” and “ Stopping by Woods on a Snowy Evening” share many qualities such as the common imagery of snow, the scene of the speaker travelling at night and the quantity of stanzas, they are as equally .
About “Desert Places” Frost reflects of the nature of loneliness and emptiness– first in the falling snow, then in the almost infinite emptiness of space. In Robert Frost's poem, "Desert Places," the symbolism used seems to be that of nature, specifically snow, to represent a separateness or loneliness as the world becomes covered, blanketing not.
Imagery in Robert Frost’s “Desert Places” Robert Frost, an American poet of the late 19th century, used nature in many of his writings. One of the great examples is the poem “Desert Places” that express feelings of a speaker and the meaning of the entire poem through images of nature.